"No ideas but in things," said William Carlos Williams. The short story "The Use of Force" seems to live up to this writer's credo. His characterization in particularly is striking. From a first person narrator's point of view, Williams takes the reader on a house call into what appears to be a working class family's health care choices. Alternately fawning, embarrassed, apologetic, cowardly, and distrustful the parents do not appear as child advocates. They waited three days before calling in the doctor in the hopes of saving three dollars instead of calling him in immediately once they suspected diphtheria. Notice how the father pulls back for fear of contracting the disease from his daughter. However, the girl is afraid of doctors and gives him a good fight; she lies about her "sore throat" but he respects her for it. She is a Shirley Temple-like child portrayed as willful, catlike, furious, and ultimately defeated, perhaps as much by the doctor's good intentions as by the squalor her family inhabits. Yet, she retains her youthful dignity in the doctor's eyes, while the parents become more and more contemptible. The doctor, too, has a bit of a hard-boiled cast to him, like a detective in a Chandler novel. And we see his Hippocratic Oath in action, at first not wishing to discomfort the child but then acting, come what may, from a sense of duty to the community and to his patient to stem the spread of a highly contagious disease which can be fatal if untreated. The use of force, in this case, seems justified, and the short story appears to us like a page out of the doctor's log, but goes beyond its usefulness in that regard. Especially, the last line which characterizes the girl as trying to attack the doctor "while tears of defeat blinded her eyes" does not have any clinical bearing; but rather gives us a description of her physical state, which reveals her inner character.
But here is another reading: Violence as "unjust force" is opposed to force, which means "to constrain to do or to forbear, by the exertion of a power not resistible." Power, in the Orwellian sense, is always power to inflict pain. So the girl may have used violence, and the doctor force. But as long as we are selfish there will always be a governement of "force" (Emerson, Politics). Because the doctor tends to be selfish, the girl's freedom is prostituted: the doctor, who is in power, subverts his (and her) capacity for empathy and compassion by the use of force, thus playing on her fears and sorrows (see Sarah Wider). Such is healthcare in America!
Thursday, October 16, 2008
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Yes, I think you're right to question these various definitions of force.
The Shirley Temple comparison is interesting...
Is it, though, that they wanted to save the $3.00? Or can we tie this in to a larger theme/issue--the fear of the unknown, the need to hide from, or deny, realities--such as the "irrational" always lurking beneath/whin the "rational" (in a sense, the dualism in the language itself is an illusion, since the flase bottom of the "rational" is its linguistic opposite, the "rational").
In any case,below are some comments from "Previous Blogs," which should give you some more specific points of focus; to address some of the story's thematic issues noted below, focus on key scenes, character and setting descriptions, the contrasting use of language (parents v. doctor), etc:
Think about what those characters represent? The story does explore questions of power, resistance, authority,ec. How many different levels of conflict can you find in the story? We have a child and adult, doctor and patient, etc. How does the story explore conflicts between various aspects of our culture? how are those various "forces" characterized?
The strangeness, or extraordinariness of the doctor's reactions may lead to some interesting discussion of the doctor-patient relationship, but beyond that, questions of power, authority, cultural roles v. human nature, etc. think about what the various characters represent.
Sexuality is an important "force" in the story; dicsusing it in this context will avoid the trap of judging the doctor as "perverted," which of course is not the issue. In this "nature" V. "culture" dicotomy--which the story suggests is no "dicotomy" at all--the story does give us a glimpse at what underlies our socio-cultural roles, one of which is the stereotype of "professionalism"; we often call this the "dark" side of "human nature"--dark, of course, because we often hide (from) it, exclude it from light.
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